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Emergence and representation of identity through cinema in Kyrgyzstan after collapse of Soviet Union = Sovyet Sonrası Kırgızıstan Sinemasında Kimliklerin İnşası ve Temsili: Belgisiz Marsrut Filmi Örneğinde

Erdoğan AKMAN | Regina CAMANKULOVA | Niyazi AYHAN

In the 21st century, mass media offers to target audience how to think them with the help of symbols and icons. The meaning given by the cinema and films re-interpreted by consuming individuals. In this article, “Belgisiz Marshrut” film will be analyzed. In this film, it analyzes the lives of passengers in the bus in terms of represented identity. Each individual in the bus represents a certain ideology and identity. “Belgisiz Marshrut” film’s screenplay is written and directed by Temirbek Birnazarov. The film describes post-Soviet Kyrgyzstan period when it enters to a new direction with unkno ...Более

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Professional Values and Ethical Rules According to Students of Journalism: Example of Kyrgyzstan = Mesleki Etik Ve Değerler Kurallarının Gazetecilik Öğrencilerine Göre Durumu: Kırgızistan Örneği

Erdoğan AKMAN | Niyazi AYHAN | Regina CAMANKULOVA

University students studying journalism are regarded as professional journalists of the future. University education is the first basis of the professional knowledge and knowledge of students receiving journalism education. They are also their first steps into the journalism profession. In the theoretical and applied courses, they take during the university education, students gain perspective on the segments that journalists are responsible for, the functions of the journalism profession, the controversial newsgathering methods of the journalism profession, the universal ethical values of the ...Более

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